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Happy Times in Noisy Village has something that many Astrid Lindgren books lack – a section at the end about the illustrator, Ilon Wikland. I don’t focus on the illustrators very often on this blog, not because I don’t love the pictures (I do!), but because my focus is really on the writing, the stories.
Some books have had multiple illustrators (think of Pippi! Of the top of my head I know of three illustrators and I am sure there have been more!) and focusing on artwork is a whole ‘nother project entirely. Anyway, although I don’t focus on the illustrations, Ilon Wikland has had an incredible impact on the books of Astrid Lindgren. Google sketchup pro 2013 keygen download bandicam.
It was wonderful to read more about her. The “About the Illustrator” section featured this quote by Astrid to Ilon: “how indebted I am to you; how important you have been to my stories in helping them to reach their audience through your pictures. I thank you from the bottom of my heart.” It is so wonderful to know that Astrid Lindgren understood what a gem she found in Ilon Wikland. Happy Times in Noisy Village was published in Sweden as Bullerby Boken in 1961 and translated by Florence Lamborn. I thought I was so terribly smart when I “figured out” that The Children of Noisy Village was also translated as, but the joke’s on me: the cherry time occurs in this book, although the cover of The Children of Noisy Village is the same as Cherry Time in Noisy Village. My brain has splattered all over the screen at this point. Highlights of this edition include: Kersin’s birth, starting school, Olaf’s loose tooth, the Chest of the Wizards, playing in the hay, Karl falling into the lake, April Fool’s Day, Lisa’s baby lamb Pontus, capturing musk-oxen, cherry time, and midsummer.
There seemed to be a little more tension between the boys and the girls in this collection of stories. The Chest of the Wizards that the boys hide reminds me of the treasure box that Bill Bergson and White Roses have.
The tricks played by the Noisy Village children are reminiscent of the “wars” between the White and Red Roses in Bergson’s world. In both series, the sparring sides all really do like each other. This, I think, makes all the difference. There were so many one-liners that made me laugh in this book.
Lisa’s narration always makes me smile; she sees the world from a nine-year-old’s point of view when she makes amazing statements like this:. So it really isn’t too bad to have brothers, but, of course, it would be better to have sisters. My, how I liked Kerstin! She was the prettiest baby in the world. Anna and Britta and I used to run over to South Farm almost every day to watch while Aunt Lisa took care of her.
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How she wiggled and kicked! — not Aunt Lisa, of course, but Kerstin. You always get hungry right away when you’re outdoors, so we all thought we might as well eat. She’s brilliant. Up until this point, I had only ever read the picture books about Noisy Village.
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While this book has tremendous artwork by Ilon Wikland, it is a short-chapter book. It was published in Sweden under Bullerby Boken in 1961 and translated by Florence Lamborn. We experience Noisy Village through the eyes (and all senses) of Lisa, our nine-year-old friend who narrates stories about the birthday when she got her own room, reading to Grandfather, running away with Anna, walking home from school and all the adventures had while doing so, Christmas, New Year, and Easter fun, the last day of school, crayfishing, and going shopping forgetfully. Each chapter is very short and includes pictures, making this a great book for children just beginning to read chapter books or a great book for reading aloud. The adventures that the Noisy Village children have prove that children don’t need screens or even toys to have fun.
I love this: As we were walking along, Britta took her book out of her schoolbag and smelled it. She let all of us smell it. New books smell so good that you can tell how much fun it’s going to be to read them.
I love this too: I think Britta and Anna went to sleep long before I did. I lay awake and listened to the rustling of the forest.
There was just a little rustling, and small waves lapped against the shore very quietly. It felt strange and all of a sudden I didn’t know whether I was happy or sad. I lay there and tried to decide, but I couldn’t.
Perhaps you get a little funny from sleeping in the woods. True that, Lisa. Bullerbyn, also known as Bullerby, also known as Noisy Village, is a series of picture and chapter books. However, figuring out the English translations is enough to drive someone (cough, me, cough) crazy. Warning: unless you really care about this series, you probably shouldn’t suffer through the following 1,000 words. Lists eight books about Bullerbyn. My second visit to Noisy Village was much less daunting than the first one.
This book is again narrated by Lisa, but she never introduces herself in the book. I think this is an interesting choice – perhaps it helps immerse the reader by making us become the narrator. This time around, with a general idea of the characters, it was much easier to lose myself in the story and not get hung up on who’s who. Luckily for me, Ilon Wikland, the illustrator for Springtime in Noisy Village, also illustrated this book. I try not to focus too much on the illustrations or illustrators, focusing instead on the story, but Ilon’s sense of humor and continuity is definitely important.
The book, originally titled Jul i Bullerbyn (1963) was translated by Florence Lamborn who, unlike the past books I’ve read, gets credit for her work. I enjoyed the description of closing Christmas paper with sealing wax. That’s an experience I will never have, but it’s fun to look back in time. Favorite quote: “All those hours you have to wait for your Christmas presents are what turn your hair gray,” Karl said. Springtime in Noisy Village (Var i Bullerbyn, 1965) was my first view into the Noisy Village world.
At first, the world can feel overwhelming, not because the world itself is so vast (it is rather small) but because there are so many characters. The book is narrated by Lisa, making it the first book by Lindgren that I’ve found to be written in the first person. Lisa goes on to (kind of) introduce Britta, Anna, Karl, Bill, Olaf, and Kerstin. Given that while reading the book, I have a pretty clear idea who Lisa is, and that Kerstin is the toddler, that still leaves me with six main characters to learn in one short picture book – a very different situation from The Red Bird, for example, in which there are only two main characters.
Alla Vi Barn I Bullerbyn 1986
Nevertheless, despite the occasional confusion, the book is humorous with fun language and situations. The great illustrations of Ilon Wikland capture the joys of being a child in the spring. Like The Tomten, I can find no information on who, if anyone, translated this book. If you can point me to this information, please get in touch with me. Lindgren’s books might have trouble being published for the first time today due to our overly-litigious and over-protective society.
In this book alone, a toddler plays with a wild animal for fun, children jump off a woodshed roof for fun, ride on a bull for fun, and walk across the top of the barn roof for fun. Lindgren’s writing is a reminder that childhood used to be fun. Truer words have never been written than this short passage: “Who said we must only walk on the road?” Karl asked afterward. “Some grownup, I suppose,” said Bill. And that’s what I think too.